Ammar al-Beik’s film The Sun’s Incubator offers a destabilizing, non-linear view of the Arab revolutions from a domestic setting. Margherita Foresti analyses the film’s complex temporality, manifested mainly through the motif of the TV screen.
Can it be that Ludwig Wittgenstein's Philosophical Investigations is not a book, but a restless musical album? Michal Sapir outlines a path for reading and interpreting the writings of Ludwig Wittgenstein that meanders through music, literature, wooly clouds, crossroads, sea horses and ethics.
Having found out that the renowned art historian and philosopher, Georges Didi-Huberman, was coming to Tel Aviv University to give a keynote lecture, we asked Michal Sapir, the translator of his recently published book in Hebrew, to invite him to give an interview for Tohu Magazine.
Inside and outside, secular and sacred, blindness and sight; ideas which emerge from analytical, non-seductive painting. Danny Yahav Brown writes about windows and stained-glass in Maya Gold’s show.
