Column

Scrapyard Movements #1

Below Netai Halup's studio there is a scrapyard, an area of about 5000 m2 that functions as a stage for dozens of workers who slam, melt, grind, shred, and maneuver different kinds of metal. On his way to the studio, he constantly passes through this territory, through this stage of the workers, who have become characters for him. Every column features a visual mapping the artist made in response to the various scrapyard events . Every map is joined by a sound work by composer Sean Farage, using recordings of sounds emerging from this yard. Farage uses the drawn maps as a score to create...

All the Mystery, and Fear, and Terror, that Love Can Hold: Part 3

Part lyrical essay, part pulp fiction, Noam Toran’s new column is a serial narrative annotated by images and GIFs, that speaks of the problematic imprinting of Western mythologies and imaginaries onto the desert landscape. Drawing from the cultural, ecological, and imperial conditions of the American Southwest where he was born, Toran intersects personal and family experiences with longer and larger histories, hopping across time periods and genres, from 16th century Spanish expeditions to the paranoid atmospheres of the 1970s, and from science fiction to horror-comedy.

All the Mystery, and Fear, and Terror, that Love Can Hold: Part 2

Part lyrical essay, part pulp fiction, Noam Toran’s new column is a serial narrative annotated by images and GIFs, that speaks of the problematic imprinting of Western mythologies and imaginaries onto the desert landscape. Drawing from the cultural, ecological, and imperial conditions of the American Southwest where he was born, Toran intersects personal and family experiences with longer and larger histories, hopping across time periods and genres, from 16th century Spanish expeditions to the paranoid atmospheres of the 1970s, and from science fiction to horror-comedy.

All the Mystery, and Fear, and Terror, that Love Can Hold: Part 1

Part lyrical essay, part pulp fiction, Noam Toran’s new column is a serial narrative annotated by images and GIFs, that speaks of the problematic imprinting of Western mythologies and imaginaries onto the desert landscape. Drawing from the cultural, ecological, and imperial conditions of the American Southwest where he was born, Toran intersects personal and family experiences with longer and larger histories, hopping across time periods and genres, from 16th century Spanish expeditions to the paranoid atmospheres of the 1970s, and from science fiction to horror-comedy.

Memory Pictures #8

Many questions arise when you think about memory, names, the absence of names, questions that essentially rest on senses and spontaneity, which determine our relation to love, hate, intimacy, abandonment, hunger, fear, memory.

 

Chapter XI: The Cave And the Multiplication

The Travels of Reb Mendelovitch is an experimental comix strip in the form of a scroll, describing the imaginary adventures of reb Mendelovitch in a chaotic, politically unstable world. The protagonist is based on Schneur Zalman of Hebron, an orthodox artist and a HABAD rabbinical envoy who had traveled around the world, and the author’s great-great-grandfather.

In the final (!) installment Mendelovitch’s children accuse him of heresy, and he returns home to write the scrolls.

Memory Pictures #7

Hadeel Abu Johar offers a reductive view, fiercely poetic, of a surreal reality – the relationship of the colonialist with the concept of banality in the face of shame. Salma, the house, the memory, the universe, the reader, the ordinary viewer confronted with the colonialist, shameless to the point of banality. Surrealism is the name of the game here, and reality is ruled by countless questions that are no less surreal.

Chapter X: The Queen and the Glory

The Travels of Reb Mendelovitch is an experimental comix strip in the form of a scroll, describing the imaginary adventures of reb Mendelovitch in a chaotic, politically unstable world. The protagonist is based on Schneur Zalman, of Hebron, an orthodox artist, a HABAD rabbinical envoy who had traveled around the world, and was the author’s great-great-grandfather.

In the tenth installment, Mendelovitch arrives in London and meets the Queen.

Chapter IX: The Fright and the Golem

The Travels of Reb Mendelovitch is an experimental comix strip in the form of a scroll, describing the imaginary adventures of reb Mendelovitch in a chaotic, politically unstable world. The protagonist is based on Schneur Zalman, of Hebron, an orthodox artist, a HABAD rabbinical envoy who had traveled around the world, and the author’s great-great-grandfather.
In the ninth installment (the Fright and the Golem), Mendelovitch hides in the house of the Luviouvis in the devastated city of Herbon,* where they are working to build a Golem.

Chapter VIII: The Sack and the Wreckage

The Travels of Reb Mendelovitch is an experimental comix strip in the form of a scroll, describing the imaginary adventures of reb Mendelovitch in a chaotic, politically unstable world. The protagonist is based on Schneur Zalman, of Hebron, an orthodox artist, a HABAD rabbinical envoy who had traveled around the world, and the author’s great-great-grandfather.
In the eighth installment (the Sack and the Wreckage), Mendelovitch arrives at the conquered city Herbon,* to see it ransacked by the Queen’s armies.

M(B)R Visiting #1: Merav Maroody

The first installment of a new column on studio visits by Michal B. Ron, who lives in Berlin. As the coronavirus pandemic spreads, the column also develops and acquires new forms. At the center of each encounter is a discussion of works by different artists and their thoughts about the current conditions of art and life.

Under the Restrictions #3

In the third chapter of her column, Goni Riskin takes advantage of the easing of the restrictions to make a series of portraits, with styling and makeup. As a precaution, she works on a rooftop, in natural light and open air. She uses a no-contact thermometer to take the temperature of her sitters, the makeup artist, and herself. She keeps the styling down to clothes from the sitters' closets, with outside loans of items when absolutely necessary.

Under the Restrictions #2

Goni Riskin joined a residency program at Arthura – a new center for art, design, and community in Emek Hefer (Hefer valley), in central Israel. She has chosen to take mostly pictures of the elderly population, in an attempt to understand how to create interaction while maintaining social distancing and wearing masks and gloves.

Under the Restrictions #1

In her new column, Goni Riskin looks at how she might continue to photograph under the coronavirus restrictions. In the first installment she creates a series of portraits while trying to observe the rules, which are often not entirely clear: stay within a 100-meters range from home, and then it's 500 meters; maintain a distance of two meters from other people; avoid entertaining at home people who do not live there.

Nuances of Belonging #13

The 13th video of this column is the final chapter in the series, which Hamody Gannam started more than 3 years ago. During these years, he has been spotting different nuances in the lives that unfolded in the village of Iqrith, as expelled residents and their family members and friends continued to maintain different forms of dwelling and community life in this allegedly vacant village.

Drawing Reaction #16

From the life of animals in Japanese art to the gradations of slow release: Revital Lessick creates a series of drawing reactions to her gallery tour in Washington and Berlin

Drawing Reaction #15

Gvul (Border) Gallery in Kibbutz Hanita, Hansen House in Jerusalem, Art Gallery at the Memorial Center Tivon, and Beit Hankin Museum in Kfar Yehushua: Revital Lessick in another round of drawing reactions.

Drawing Reaction #14

A concrete beach at Gate 3 gallery in Haifa, Code vs. Code and Hiroshi Sugimoto at the Tel Aviv Museum, and Jonathan Hirschfeld at Givon Galley. Revital Lessick returns from another gallery tour with a new series of reaction drawings.

Klipot Nogah #1

A new podcast from Tohu (in Hebrew). Listen to Eitan Ben Moshe conversing in each installment with a different interesting personality on matters spiritual and cultural.

“Life is a reflection of a very unruly creator” - in the first installment’ Eitan ben Moshe talks with Shai Tubali - writer, thinker, spiritual teacher, lecturer, and director. His teachings and his books combine popular psychology with Eastern and Western philosophies. Since 2012 he has been living and teaching in Berlin, where he founded a learning and treatment center dedicated to his methods.

 

Nuances of Belonging #12

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography.

 

Nuances of Belonging #11

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography.

Drawing Reaction #13

From North America to the north of Israel, Revital Lessick presents another series of reaction drawings following a gallery tour in New York, Toronto and Haifa.

Memory Pictures

Hadeel Abu Johar travels roads and lanes of near memory, hinting at what is beyond, asking questions about the tension between the image and the event and about the human search for a place and its meaning.

Nuances of Belonging #10

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography.

Drawing Reaction #12

Avner Ben Gal at Givon Gallery, Ron Arad at Gordon Gallery and Neta Cohen at Artspace Tel-Aviv. Revital Lessick presents another series of reaction drawings following a gallery tour in Tel Aviv

Nuances of Belonging #9

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography.
The current column was shot using a DIY drone, built in Iqrith by Ghassan Toumie.

Drawing Reaction #11

Ido Bar-El in Kibbutz Baram, Israel Kabala in Tel Aviv, Niv Tishbi in Jaffa, and Tamar Sheaffer in Haifa. Revital Lessick wanders and reacts through drawings

Drawing Reaction #10

Revital Lessick visits Pinchas Cohen Gan’s studio, Avital Geva’s Ecological Greenhouse in Kibbutz Ein-Shemer and the exhibitions of Louise Bourgeois and Atalia Shachar in Tel Aviv

Drawing Reaction #9

Dreamers Awake, Giacometti, The Trickle-Down Syndrome and The Most Popular Art Exhibition Ever! Revital Lessick offers quick drawings in reaction to a gallery tour in London.

Nuances of Belonging #8

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography.
The current column was shot using a DIY drone, built in Ikrit by Ghassan Toumie.

Nuances of Belonging #7

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography

Nuances of Belonging #6

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography

Chapter I: The Dream and the Fire

Reb Schneur Zalman Mendelovitch was a member of HABAD, an illustrator and miniaturist, who lived in Hebron in the middle of the 19th century; he has traveled all over the world. He is also associated with many surreal and anarchistic Hassidic stories. We follow his imaginary travels from chapter to chapter in the comics strip, as he wanders through countries and ages, from the Great Indian Rebellion to Akre during Napoleon’s siege and Victorian London. In the first chapter, Reb Mendelovitch leaves his home after seeing a vision, and ventures out into the world.

Nuances of Belonging #5

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography

Nuances of Belonging #4

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography

Nuances of Belonging #3

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography

Nuances of Belonging #2

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography

Nuances of Belonging #1

Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography