
Memory Pictures #9
Telling you, Salma, about many things that begin with the question of robbery and end with the question of the secret with God.
Telling you, Salma, about many things that begin with the question of robbery and end with the question of the secret with God.
Part lyrical essay, part pulp fiction, Noam Toran’s new column is a serial narrative annotated by images and GIFs, that speaks of the problematic imprinting of Western mythologies and imaginaries onto the desert landscape. Drawing from the cultural, ecological, and imperial conditions of the American Southwest where he was born, Toran intersects personal and family experiences with longer and larger histories, hopping across time periods and genres, from 16th century Spanish expeditions to the paranoid atmospheres of the 1970s, and from science fiction to horror-comedy.
Part lyrical essay, part pulp fiction, Noam Toran’s new column is a serial narrative annotated by images and GIFs, that speaks of the problematic imprinting of Western mythologies and imaginaries onto the desert landscape. Drawing from the cultural, ecological, and imperial conditions of the American Southwest where he was born, Toran intersects personal and family experiences with longer and larger histories, hopping across time periods and genres, from 16th century Spanish expeditions to the paranoid atmospheres of the 1970s, and from science fiction to horror-comedy.
Many questions arise when you think about memory, names, the absence of names, questions that essentially rest on senses and spontaneity, which determine our relation to love, hate, intimacy, abandonment, hunger, fear, memory.
The Travels of Reb Mendelovitch is an experimental comix strip in the form of a scroll, describing the imaginary adventures of reb Mendelovitch in a chaotic, politically unstable world. The protagonist is based on Schneur Zalman of Hebron, an orthodox artist and a HABAD rabbinical envoy who had traveled around the world, and the author’s great-great-grandfather.
In the final (!) installment Mendelovitch’s children accuse him of heresy, and he returns home to write the scrolls.
Hadeel Abu Johar offers a reductive view, fiercely poetic, of a surreal reality – the relationship of the colonialist with the concept of banality in the face of shame. Salma, the house, the memory, the universe, the reader, the ordinary viewer confronted with the colonialist, shameless to the point of banality. Surrealism is the name of the game here, and reality is ruled by countless questions that are no less surreal.
The Travels of Reb Mendelovitch is an experimental comix strip in the form of a scroll, describing the imaginary adventures of reb Mendelovitch in a chaotic, politically unstable world. The protagonist is based on Schneur Zalman, of Hebron, an orthodox artist, a HABAD rabbinical envoy who had traveled around the world, and was the author’s great-great-grandfather.
In the tenth installment, Mendelovitch arrives in London and meets the Queen.
The Travels of Reb Mendelovitch is an experimental comix strip in the form of a scroll, describing the imaginary adventures of reb Mendelovitch in a chaotic, politically unstable world. The protagonist is based on Schneur Zalman, of Hebron, an orthodox artist, a HABAD rabbinical envoy who had traveled around the world, and the author’s great-great-grandfather.
In the ninth installment (the Fright and the Golem), Mendelovitch hides in the house of the Luviouvis in the devastated city of Herbon,* where they are working to build a Golem.
The Travels of Reb Mendelovitch is an experimental comix strip in the form of a scroll, describing the imaginary adventures of reb Mendelovitch in a chaotic, politically unstable world. The protagonist is based on Schneur Zalman, of Hebron, an orthodox artist, a HABAD rabbinical envoy who had traveled around the world, and the author’s great-great-grandfather.
In the eighth installment (the Sack and the Wreckage), Mendelovitch arrives at the conquered city Herbon,* to see it ransacked by the Queen’s armies.
After their collaborative project “Cat Chat,” discussing the interview Marcel Broodthaers conducted with a cat, Michal B. Ron initiates an online studio visit at Noa Ginzburg’s studio, with Hannah Bruckmüller. They talk about the idea of Radical Coziness, domesticity, extra ocular objects, and jumping in public places.
The first installment of a new column on studio visits by Michal B. Ron, who lives in Berlin. As the coronavirus pandemic spreads, the column also develops and acquires new forms. At the center of each encounter is a discussion of works by different artists and their thoughts about the current conditions of art and life.
The digital Messiah will yet be sent, and he will toy with us throughout our lives.
In the third chapter of her column, Goni Riskin takes advantage of the easing of the restrictions to make a series of portraits, with styling and makeup. As a precaution, she works on a rooftop, in natural light and open air. She uses a no-contact thermometer to take the temperature of her sitters, the makeup artist, and herself. She keeps the styling down to clothes from the sitters' closets, with outside loans of items when absolutely necessary.
Goni Riskin joined a residency program at Arthura – a new center for art, design, and community in Emek Hefer (Hefer valley), in central Israel. She has chosen to take mostly pictures of the elderly population, in an attempt to understand how to create interaction while maintaining social distancing and wearing masks and gloves.
In her new column, Goni Riskin looks at how she might continue to photograph under the coronavirus restrictions. In the first installment she creates a series of portraits while trying to observe the rules, which are often not entirely clear: stay within a 100-meters range from home, and then it's 500 meters; maintain a distance of two meters from other people; avoid entertaining at home people who do not live there.
Her daughter had painted the view that was hanging outside the window
Of the house that was not her original one.
The 13th video of this column is the final chapter in the series, which Hamody Gannam started more than 3 years ago. During these years, he has been spotting different nuances in the lives that unfolded in the village of Iqrith, as expelled residents and their family members and friends continued to maintain different forms of dwelling and community life in this allegedly vacant village.
From the life of animals in Japanese art to the gradations of slow release: Revital Lessick creates a series of drawing reactions to her gallery tour in Washington and Berlin
The colors jostled on the clothes line, and she was glad she had taken down the black.
Gvul (Border) Gallery in Kibbutz Hanita, Hansen House in Jerusalem, Art Gallery at the Memorial Center Tivon, and Beit Hankin Museum in Kfar Yehushua: Revital Lessick in another round of drawing reactions.
A concrete beach at Gate 3 gallery in Haifa, Code vs. Code and Hiroshi Sugimoto at the Tel Aviv Museum, and Jonathan Hirschfeld at Givon Galley. Revital Lessick returns from another gallery tour with a new series of reaction drawings.
Salma would never tell me about her connection to water. I don't recall ever asking her if she could swim.
A new podcast from Tohu (in Hebrew). Listen to Eitan Ben Moshe conversing in each installment with a different interesting personality on matters spiritual and cultural.
“Life is a reflection of a very unruly creator” - in the first installment’ Eitan ben Moshe talks with Shai Tubali - writer, thinker, spiritual teacher, lecturer, and director. His teachings and his books combine popular psychology with Eastern and Western philosophies. Since 2012 he has been living and teaching in Berlin, where he founded a learning and treatment center dedicated to his methods.
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography.
In the seventh segment of his travels, Mendelovitch climbs to the top of Mount Tabor. At midnight, he encounters a growling bird that opens for him a new chapter in his search for the Queen.
Hadeel Abu Johar follows Salma's transition from childhood to loss… and from one bed to another.
From North America to the north of Israel, Revital Lessick presents another series of reaction drawings following a gallery tour in New York, Toronto and Haifa.
Hadeel Abu Johar travels roads and lanes of near memory, hinting at what is beyond, asking questions about the tension between the image and the event and about the human search for a place and its meaning.
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography.
Avner Ben Gal at Givon Gallery, Ron Arad at Gordon Gallery and Neta Cohen at Artspace Tel-Aviv. Revital Lessick presents another series of reaction drawings following a gallery tour in Tel Aviv
In the sixth episode of his travels, Mendelovitch lands in the besieged city of Asscre. He escapes the battle and ends up at the foot of Mount Tabor.
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography.
The current column was shot using a DIY drone, built in Iqrith by Ghassan Toumie.
In the fifth chapter, Reb Mendelovitch, the Soldier, and Gvir Sassoon leave India and sail through the Sea of Stench toward the besieged port of Asscre.
Ido Bar-El in Kibbutz Baram, Israel Kabala in Tel Aviv, Niv Tishbi in Jaffa, and Tamar Sheaffer in Haifa. Revital Lessick wanders and reacts through drawings
Revital Lessick visits Pinchas Cohen Gan’s studio, Avital Geva’s Ecological Greenhouse in Kibbutz Ein-Shemer and the exhibitions of Louise Bourgeois and Atalia Shachar in Tel Aviv
In the fourth chapter of Mendelovitch's travels, after being ejected from the Beast's belly, he and his companion bathe and dine with the Luvioubi faithful and the Gvir Sassoon.
Dreamers Awake, Giacometti, The Trickle-Down Syndrome and The Most Popular Art Exhibition Ever! Revital Lessick offers quick drawings in reaction to a gallery tour in London.
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography.
The current column was shot using a DIY drone, built in Ikrit by Ghassan Toumie.
Revital Lessick offers quick drawings in reaction to exhibitions, specific works, and art events
After escaping the Doubters into the maw of the elephant, Reb Schneur Zalman Mendelovitch meets Jonah and a former soldier in the belly of the beast.
Revital Lessick offers quick drawings in reaction to exhibitions, specific works, and art events
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography
In the second chapter of the comics column about the travels of the Hassid and illustrator, Reb Schneur Zalman Mendelovitch, we find him in India during the Uprising of the Doubters, headed by their leader, Doubting Thomas.
Revital Lessick offers quick drawings in reaction to exhibitions, specific works, and art events.
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography
Reb Schneur Zalman Mendelovitch was a member of HABAD, an illustrator and miniaturist, who lived in Hebron in the middle of the 19th century; he has traveled all over the world. He is also associated with many surreal and anarchistic Hassidic stories. We follow his imaginary travels from chapter to chapter in the comics strip, as he wanders through countries and ages, from the Great Indian Rebellion to Akre during Napoleon’s siege and Victorian London. In the first chapter, Reb Mendelovitch leaves his home after seeing a vision, and ventures out into the world.
Revital Lessick offers quick drawings in reaction to exhibitions, specific works, and art events.
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography
Revital Lessick offers quick drawings in reaction to exhibitions, specific works, and art events. A new column at Tohu.
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography
Revital Lessick offers quick drawings in reaction to exhibitions, specific works, and art events. A new column at Tohu.
Revital Lessick offers quick drawings in reaction to exhibitions, specific works, and art events. A new column at Tohu.
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography
Michel Nassar in conversation with Rabia Salfiti on travelling, meditation, propaganda and martyrdom
Since the winter of 2012 Hamody Gannam has been visiting the village of Iqrith once a month, sometime staying for a few days, capturing the place and the people living there on video and still photography